Faber-Castell ink : available in four colours: black, blue, pink and turqoise; the shades blue and pink are erasable; black and turquoise cannot be erased; the ink is not document proof; (the waterproof and lightfast alternative by Faber-Castell are the Graf von Faber-Castell inks)
Here is the list of vegan-friendly products by Faber-Castell:
I am happily suprised by the white Faber-Castell Pitt Artist Pens in B, 1.5 and C. Last week I stumbled upon the set containing those three and a black pen in S. A couple of years ago I bought the big white pen with the rounded tip, but it was just too big to do highlights and I didn’t know there were other ones as well. I really do like the 1.5 for highlights. Not to bash the other two, because I like B and C very much . On my doodle below you can see all the white Faber-Castell pens and pencils on black paper. You can layer them to bring them out even more. I’d pick them over gel pens any day; they can be layered, they don’t scratch of, they go on top of coloured pencils, etc. (without giving up), they apply evenly, they are more reliable (my comparison: white uni ball signo gel pen).
By chance I found a way to soften the hardened lead of my coloured pencils. Here is how …
What you need:
a tin to store your pencils in (preferably not so tall as the one I use)
scissors (in case you have to cut the sponge down)
100% cellulose sponge; it is plant based, reusable and machine washable up to 60 ° Celsius ; the sponge is slightly moist/damp; (I layered 3 sponges, so the pencils have a ~3 cm/1 inch cushion)
When you take the sponge out of the package, you will notice it being a bit damp/moist. This is probably what softens the pencil lead.
If the tips of the coloured pencils are sharpened to the utmost, the top of the tips might brittle a bit off (not much just a bit) , but they apply so much smoother and more vibrant on the paper. I noticed this especially with my metallic Polychromos. I could practically carve into the paper with Gold, Copper and Silver but I could hardly see any colour on the paper. Now they run smoothly over the paper and the colour is clearly visible without applying a ton of pressure.